The Quiet Radicalism of Zainul’s Famine Sketches
A close reading of line, labour and witness in works that refused to look away.
Criticism on the art of Bangladesh — painting, sculpture, photography, film and performance, from the Bengal School to today’s studios.
A close reading of line, labour and witness in works that refused to look away.
How material carries memory, and who decides what a public form should say.
Between document and art, a camera is always taking a position.
Returning to films that still unsettle, and asking why they refuse to age.
Performance as public argument, from the proscenium to the pavement.
How material carries memory, and who decides what a public form should say.
Between document and art, a camera is always taking a position.